‘story of the languidness of desire, which, getting an enabling moment, tends to portray sumptuousness it is not made up of the greens for. The sequent is unorthodoxically somber of tittilating spoor, which leads characters, a ramshackle husband, and his three women, the termagant wife, the sedulous lover, and the vexatious boss, to provocative overreach of desire, causing, in the process, surrealistic nebulousness, salacious of the import but literary of impute.’
